Ursus Grows Wings
- Chautauqua Journal
- Oct 7
- 2 min read
Updated: Oct 13
Todd Davis

Ursus’s body commands he eat,
to rake bushels of apples
from orchard trees and gorge
upon the night-dark sweetness
of the last blackberry. He craves
the sharp lemon of sorrel, acorn
meal upon the tongue, breath ripe
with the smashed ferment
of hawthorn.
Ursus climbs an ancient tulip
poplar that rots from the inside out.
Near the peak a hole to crawl through,
to slide down into a pit, a sacristy
where he can sleep and dream
of what he came into this world
knowing. Ursus can’t explain,
but his heart feels like a boat
about to capsize, immigrants
tumbling over the bow, some
drowning in the surf.
In his torpor Ursus struggles
to find the stars he’s been taught
signify him. The animal of his throat
aches for a prayer that might hold
back the seconds, sky collapsing
into darkness.
Where constellations swim
Ursus assumes a dead man’s float,
exhales a final breath, and sinks
beneath the amniotic tide. As he sleeps
he feels a sharp stab at the shoulder,
vision of wings sprouting—axillars,
patagium, coverts of the upper wing
and tail—all springing from air.
And tracked through, struts
and trusses, the scaffolding for flight,
because he may be at sea for years,
like those pelagic birds that glide
over shore, never coming to rest
upon land.
He can’t be sure if the dark
has receded, snail drawing its head
into a spiraled shell. It’s the whine
of a saw that wakes him. Smell
of burning oil like feathers in flame.
Ursus scrambles upward
from a raven’s dream and leaps
from the hole before the poplar
can fall. In his flying he looks down
at a man who cuts a final notch,
steering this tree to earth. He jerks
head up toward branch-crash
and watches Ursus, arms spread,
slide down the trunk
of a neighboring oak.
Claws can write history, but
it’s the black body loping
unsteadily into a grove of beech
that presses the human mind:
those last leaves to go, copper-
gold, like the light that shines
around the heads of saints, vestigial
wings flapping at their backs.
Image © Tina Hartung